Art Glass Highlights

Tiffany Studios leaded glass and bronze table lamp with “Arrowroot” pattern conical form shade in green, white, yellow, rust, and blue leaded glass, with label reading “Tiffany Studios, New York” along the lower inside rim, together with a #6701 Tiffany Studios bronze lamp base having an artichoke style riser and an onion bulb design platform above four scrolled feet. Fitted with a 3 socket light cluster and signed on the base “6701 Tiffany Studios New York”. Shade: 20 1/2″ diameter x 8 1/2″ H. Base: 26″ H. American, circa 1910. Provenance: the estate of Edith (Edie) M. Bass, Nashville, Tennessee, by descent from her parents, Walter Paul McBride and Claire Childs of Lake Forest, Illinois. The lamp likely originally belonged to Mrs. Bass’s grandfather, C. Frederick Childs (1875-1955), founder of the C.F. Childs & Co. Securities Co. Mr. Childs was the first dealer of U.S. Government Securities. His offices in Chicago and New York were across the street from the Federal Reserve in each city and his trading office was located at One Wall Street. Edie McBride Bass attended Miss Porter’s School and graduated from Vassar. She married Jack Maddin Bass of Nashville, Tennessee, whose father owned J.M. Bass and Co., one Nashville’s first securities firms. Edie served numerous charitable institutions in Nashville. She was a Lifetime Trustee of Cheekwood Botanical Gardens and the Ensworth School, and served on the Board of Miss PorterÕs School. She was a driving force in establishing fund raising for the Swan Ball, The Land Trust of Tennessee, and the M.S. Society. Condition: Shade overall very good condition with no obvious hairlines or wear. Base in overall very good condition with nice old mellow patina. Heat cap is a replacement. Functional at time of inspection (see photos of illuminated lamp). [See more photos →]

Tiffany Studios table lamp with “Crocus” pattern domed leaded glass shade in yellow, cream and green leaded glass, unsigned, together with a # D805 Tiffany Studios lamp base having an onion bulb design base above four scrolled feet. Fitted with a 3 socket light cluster and signed on the base “Tiffany Studios New York D805″ together with Tiffany monogram stamp. Shade: 6 1/2″ H x 16″ dia. Base: 18” H. American, circa 1910. Provenance: the estate of Edith (Edie) M. Bass, Nashville, Tennessee, by descent from her parents, Walter Paul McBride and Claire Childs of Lake Forest, Illinois. The lamp likely originally belonged to Mrs. Bass’s grandfather, C. Frederick Childs (1875-1955), founder of the C.F. Childs & Co. Securities Co. Mr. Childs was the first dealer of U.S. Government Securities. His offices in Chicago and New York were across the street from the Federal Reserve in each city and his trading office was located at One Wall Street. Edie McBride Bass attended Miss Porter’s School and graduated from Vassar. She married Jack Maddin Bass of Nashville, Tennessee, whose father owned J.M. Bass and Co., one Nashville’s first securities firms. Edie served numerous charitable institutions in Nashville. She was a Lifetime Trustee of Cheekwood Botanical Gardens and the Ensworth School, and served on the Board of Miss Porter’s School. She was a driving force in establishing fund raising for the Swan Ball, The Land Trust of Tennessee, and the M.S. Society. Additional items from her estate will be offered in our January auction. Condition: Shade overall good condition with no apparent breaks. Base with nice old green brown patina. Heat cap is a replacement. Functional at time of inspection (see photos of illuminated lamp). [See more photos →]

Stephen Rolfe Powell (Alabama/Kentucky, 1951-2019) untitled double-lobed and multi-colored murrine art glass sculpture or vase, comprised of multiple bands of fused colored canes. Signed and dated on one side near the base “Stephen Powell 1995″ and initialed BZ. 31 1/2″ H x 20″ W x 10” D.

CONDITION: Overall excellent condition. [See more photos →]

Tiffany Studios table lamp comprised of a #470 Lemon Leaf shade with gold dore finish and a #587 Mock Turtle bronze base with three light sockets and a brown/dark green finish. Shade marked along the edge “Tiffany Studios/New York/470” and lamp base marked “Tiffany Studios/New York/587”. Base – 22 7/8″ H. Shade – 18″ dia. 23 1/4″ total H of base with shade. CONDITION: Replaced cap. Old repairs to outer edge and inner cap edge of shade, see photos. Lamp base slightly tilted. Shade and lamp are not original to one another. [See more photos →]

Tiffany gold iridescent art glass vase having a pulled feather design below the rim and to the upper body. Underside of base inscribed "8522 K L.C.Tiffany – Favrile". 9 3/4" H x approx. 8 3/4" W. Early 20th century.

PROVENANCE: Private Cleveland, Tennessee collection.

CONDITION: Overall very good condition, light scratching to the base, one area of rubbing noted to one side. [See more photos →]

Stephen Powell (Kentucky, b. 1951) large tri-lobe murrine glass vessel form, engraved signature near base, “Stephen Powell 1999 RO”. 44 3/8″ H x 18″ x 17″ (56″ circumference at widest point). Provenance: Lexington, Kentucky area collection. Condition: Overall excellent condition – no chips, cracks, abrasions noted. CONDITION: Overall excellent condition – no chips, cracks, abrasions noted. [See more photos →]

Arts & Crafts Handel bronze floor lamp having a cylindrical standard, five socket cluster and bulbous shaped base. Fitted with a metal overlay cattail pattern shade comprised of eight (8) shaped panels of glass in colors of green, tan and reddish brown and fitted with a openwork fleur de lis cap. Shade retains the original Handel tag, base with impressed Handel stamp mark. Shade measures 22″ dia x 11 1/4″ H. Lamp measures 66″ total H. 1st Qtr. 20th century. CONDITION: Overall very good condition with minor wear to patina on lamp. Shade glass in excellent condition. [See more photos →]

Richard Jolley (Tennessee, born 1952) blown and hot formed glass “totem” titled “Memories Lingering” with fabricated and acid etched elements. Colors of amber, clear, cobalt, purple, aqua and gold. Signed and dated “1997” en verso on base. 34″ H x 9 1/2″ dia. 20th century. Biography (Courtesy of the Knoxville Museum of Art): Richard Jolley was born in Wichita, Kansas, in 1952 and as a youth, he moved to Oak Ridge, Tennessee. He began his art training at Tusculum College in Greenville, Tennessee in 1970, studying under noted glass artist Michael Taylor. After receiving his B.F.A. from George Peabody College in Nashville (now part of Vanderbilt University), Jolley continued graduate studies at North CarolinaÃs Penland School of Crafts, under the instruction of studio glass artist Richard Ritter. He currently maintains a studio in Knoxville. To date, JolleyÃs work is represented in more than 33 public collections, including the Carnegie Museum of Art; the Corning Museum of Glass; the Frederick Weisman Art Foundation, Los Angeles, the Knoxville Museum of Art; the Los Angeles County Museum of Art; the Museum of Fine Arts, Boston; and the Renwick Gallery of the Smithsonian American Art Museum. Purchased in 1997 by owner. Provenance: Property of the estate of Arlene Goldstine, Knoxville, TN. Condition: Overall excellent condition. [See more photos →]

Tiffany Studios “turtleback” table or desk lamp, comprised of two favrile turtleback panels of green, gold, brown and blue iridescent glass, in a verdigris bronze frame with rope and bead decoration over a single socket, shade is mounted within two bronze curved arms leading to base with stylized leaf design and green art glass cabochon jewels around base edge. Marked on underside base, TIFFANY STUDIOS/NEW YORK/D545 and with the Tiffany Glass & Decorating Company monogram. 14″ H x 8 3/8″ W. Circa 1892-1900. Provenance: Private Knoxville, TN collection. CONDITION: Base and glass appear to be in excellent condition. Older wiring with some fraying to cord. Bronze fatigue crack visible to both arms near mounts to shade (appears stable). [See more photos →]

Rene Lalique Art Deco Rinceaux chandelier or plafonnier, introduced 1926, amber frosted and clear glass shade, molded in a honey comb pattern. “R Lalique, France” signature engraved on the side. Suspends from ceiling on four silk-covered wire hanging cords, which appear original, and retains the original molded glass ceiling cap. 14 3/4″ D. CONDITION: No cracks or chips, but some general expected wear and some internal imperfections as made. [See more photos →]

Richard Jolley (Tennessee, born 1952) blown and hot formed glass totem sculpture on stand titled “Force of Gravity”. Depicting a male head with fabricated and acid etched elements in colors of amber, red, lime and yellow. Signed and dated “Richard Jolley 2006″ lower right front edge. Fitted with a custom metal display stand. Sculpture – 22″ H x 9 3/4″ W. Stand – 19″ H x 12” W. Early 21st century. Biography (from the Knoxville Museum of Art): Richard Jolley, internationally recognized as one of today’s most important glass sculptors, was born in Wichita, Kansas, in 1952. As a youth, he moved to Oak Ridge, Tennessee, and in 1970 began his art training at Tusculum College in Greenville, Tennessee, studying under noted glass artist Michael Taylor. After receiving his B.F.A. from George Peabody College in Nashville (now part of Vanderbilt University), Jolley continued graduate studies at North Carolina’s Penland School of Crafts, under the instruction of studio glass artist Richard Ritter. One of Jolley’s early assistants was glass artist Tommie Rush. They married in 1988 and now share a studio full time in Knoxville. Jolley has participated in over 65 solo museum and gallery exhibitions throughout the United States and in Australia, Europe, Israel, and Japan. In 1997, the Mint Museum of Art in Charlotte, North Carolina, organized the first extensive exhibition of Jolley’s mature glass sculptures; and in 2002, the Knoxville Museum of Art presented the first major retrospective of Jolley’s work, which later traveled nationally to 14 museums over five years. Jolley’s works have been showcased in numerous important museum surveys of contemporary glass, including the Hokkaido Museum of Modern Art in Sapporo, Japan; the International Exhibition of Glass in Kanazawa, Japan; the Indianapolis Museum of Art; the Museum of Fine Arts, Boston; the Renwick Gallery of the Smithsonian American Art Museum, Washington, D.C.; and the Carnegie Museum of Art, Pittsburgh. Jolley has received several prestigious private and public commissions, including Everything and the Cosmos (2007), installed at 7 World Trade Center, New York City. Jolley’s large, permanent exhibitiontitled “Cycle of Life: Within the Power of Dreams and the Wonder of Infinity” has been on display at the Knoxville Museum of Art since 2014. Provenance: Private Knoxville, TN collection. CONDITION: Overall very good condition. [See more photos →]

Set of Baccarat Gilded crystal bowls and stoppers, 25 total pieces, each with gilt foliate rococo decoration. Includes a pair of decanter stoppers; 14 finger bowls, each with cut starburst foot and underplates (including 5 extra underplates); and 4 shallow centerpiece bowls or tazzas with cut starburst foot, each fitted with a conforming figural cherub ormolu bronze stand stamped on the underside with the Baccarat roundel. All pieces monogrammed. Finger bowls measure 3″ H x 5 1/4″ dia. Underplates measure 8″ dia. Centerpiece bowls/tazzas measure 7 1/2″ dia. Cherub stands measure 3″ H. Late 19th/early 20th century. Provenance: Baltimore estates of Virginia Howard Miller (c. 1880-1946) and Hugh Purviance King (1873-1966) passed down to present Living Estate of Virginia Johnston, Chattanooga, TN. CONDITION: All pieces overall excellent condition. [See more photos →]

Signed Quezal, NY vine vase, teardrop form with elongated neck, purple glass with pulled leaves and vines and overall iridescence. Signed on base “Quezal, N. Y. “. Very good condition, slight loss on base to edge of pontil mark, some minorsurface scratches. 4 7/8” H. Early 20th century. Provenance: Private East TN estate. [See more photos →]

Rene Lalique Monnaie du Pape pattern vase, molded frosted dark amber glass with leaf decoration. Impressed on center base, ” R. Lalique” Introduced in 1914. 9 1/4″ H x 6 1/2″ D. France. Provenance: Estate of Bill Zarnon, Gatlinburg, Tenn. Condition: Overall very good condition with outer rim edge having evidence where two areas have been polished. CONDITION: Overall very good condition with outer rim edge having evidence where two areas have been polished. [See more photos →]

Richard Jolley glass fish sculpture, titled on the base “Tropical Fish”, depicting an underwater ocean scene with seven (7) fish. Signed and titled on the base. 11 1/4″ H x 8 3/4″ W (at the base). 20th century. CONDITION: Overall very good condition. [See more photos →]

Five (5) Durand King Tut pattern sherberts with blue iridescent and white striations, gold iridescent interiors, and gold lustre foot. Polished pontil mark, unsigned. 4 1/2″ to 4 5/8″ height. Early 20th century. Provenance – estate of George M. Link, Vonore, TN, a descendant of Charles D. Link, glassmaker who worked with Victor Durand’s glass shop in Vineland, NJ. Condition: Overall excellent condition. [See more photos →]

Two piece Parrot Green Persian art glass sculpture, Dale Chihuly (Tacoma, WA, b.1941). A Portland Press 2001 Studio Edition, signed by the artist on ball of stem. Pulled green design with red lip wraps. Bowl – 11 3/4″ x 11 3/4″, Ball with Stem – 9″ L.Chihuly has become one of the best known glass designers for his organic-themed and often extremely large vessels. He is one of only three Americans to have had a solo exhibition at the Louvre, and his work was recently featured at the Cheekwood Museum of Art in Nashville. Provenance: Lynnville, Tennessee estate. Condition: Excellent condition. [See more photos →]

Richard Jolley (American, born 1952) frosted art glass vase with handle or pitcher form with “pinch folded” rim and blue overlay profile face decoration with handle representing the ear. Signed and dated on the base “R. Jolley, ’88”. 8 1/2″ H x 6″ W. 20th century. Provenance: Private Knoxville, TN collection. CONDITION: Overall very good condition, minor scratching to the base. [See more photos →]

Attr. Loetz, Candia Phanomen Blue art glass vase, double gourd form with flared rim and iridescent blue and green pulled threads over a copper-red body, ground pontil with crossed arrows "Austria" mark. 8 3/4" H. 6" dia. Circa 1898. Provenance: Middle Tennessee private collection. CONDITION: A few miniscule imperfections, light wear and scratches, overall very good condition. [See more photos →]

Pair of Lalique crystal Cygnes swans comprised of clear and frosted etched glass, inscribed ÒLalique FranceÓ underside of each tail, together with the original glass mirror having an etched rippled water effect. Upright swan measures: 9 1/2_ H x 12 1/2_ L x 7_ W; downturned swan measures: 6 7/8_ H x 14 1/2_ L x 8 3/8_ W. Mirror measures: 33_ L x 24_ W. 20th century. Provenance: the living estate of Annette Petri, Nashville, Tennessee. CONDITION: Lalique swans in excellent condition and mirror in very good condition with a couple of small surface scratches. [See more photos →]

Bronze “Aladdin” or Genie Lamp, crafted by Tiffany Studios for Tiffany & Co., with iridescent Damascene art glass shade, the polished base modeled as a Genie’s lamp, with mask and arabesque decorated sides, and a circular base stamped TIFFANY & CO. on side. Green, iridescent Wave pattern shade, base coat of white cased glass with an emerald green overlay and gold iridization, etched S9054 at interior of neck, also attributed to Tiffany. Shade 6 3/4″ diameter by 4 1/2″H. Overall: 20 1/2″H. Provenance: private Nashville collection. CONDITION: Shade has 3 1/2″ hairline extending from edge that goes through both layers and is visible from interior and exterior. Crack is stable and has existed for many years. Shade also has a few scattered small dark spots, likely grime spatters, which we have not attempted clean. Some wear and oxidation to bronze base. Lacking chimney. Functionality not tested or guaranteed. [See more photos →]

Richard Jolley (American, b. 1952) art glass sculpture comprised of a standing orange dog on a swirled blue and green base. Signed and dated, “Richard Jolley 2000″ to one side of the base. 11 H x 10″ L x 5” W. 20th century. Provenance: Private Knoxville, TN collection. CONDITION: A couple of minor errant marks to surface, otherwise overall good condition. [See more photos →]

Pair of Italian Vetri Murano teardrop form blue swirl glass table lamps. Each with Vertri Murano sticker near base. Both 18" H x 6 1/4" dia. Late 20th century.

CONDITION: Overall very good condition. Both functional at time of inspection. One with adhesive residue to base. [See more photos →]

Richard Jolley (Tennessee, born 1952) pigment, silver leaf, and varnish on heavy paper painting depicting a nude figure in shades of red, orange, yellow, black, and green, rendered in a heavy impasto technique. Unsigned to front, likely signed to back of paper. Float mounted in a contemporary black and giltwood frame. Sheet – 52″ H x 26 1/4″ W. Framed – 56 3/8″ H x 38 7/8″ W. Late 20th/early 21st century. Biography: Richard Jolley was born in Wichita, Kansas, in 1952 and as a youth, he moved to Oak Ridge, Tennessee. He began his art training at Tusculum College in Greenville, Tennessee in 1970, studying under noted glass artist Michael Taylor. After receiving his B.F.A. from George Peabody College in Nashville (now part of Vanderbilt University), Jolley continued graduate studies at North Carolina’s Penland School of Crafts, under the instruction of studio glass artist Richard Ritter. He currently maintains a studio in Knoxville. To date, Jolley’s work is represented in more than 33 public collections, including the Carnegie Museum of Art; the Corning Museum of Glass; the Frederick Weisman Art Foundation, Los Angeles, the Knoxville Museum of Art; the Los Angeles County Museum of Art; the Museum of Fine Arts, Boston; and the Renwick Gallery of the Smithsonian American Art Museum. (Source: the Knoxville Museum of Art). Provenance: Private Knoxville, TN collection. CONDITION: Overall very good condition. Surface scratches, largest 3/4″, to frame. [See more photos →]

French Daum Nancy art glass vase, square form with etched and enameled scenic landscape decoration to all sides. Base marked "Daum Nancy" with the cross of Lorraine and artist initial "L". 4 3/4" H. Early 20th century. The Estate of Elizabeth Chalfant, Nashville, TN. Condition: Overall very good condition. Slight fleabite to one top corner, a couple of tiny scattered fleabites to the body. [See more photos →]

Charles Lotton (American, 1935-2021) studio art glass table lamp, consisting of an urn form base with matching scalloped rim shade and pulled glass finial, both having a green opalescent ground with pink floral decoration, possibly morning glories. Etched signature and date under the brass collar reading MADE BY CHARLES LOTTON 1991. 25 1/4" H x approx. 18" dia.

CONDITION: Overall excellent condition. [See more photos →]

Lalique (French, founded 1888) "Bacchantes" crystal vase, deeply molded colorless glass with a frieze of frosted Classical nude figures. Signed Lalique France on underside. 9 3/4" H x 9"dia. Late 20th century. Provenance: Private Middle Tennessee collection. CONDITION: Overall very good condition. Areas of minimal expected wear, largest approximately 1", underside of base. [See more photos →]

Richard Jolley (American, born 1952) blue to purple dichroic art glass sculpture titled “Torso” depicting a male torso with tilted head and crossed arms. Incised signature, title and date “Richard Jolley Torso 93″ on the base. 6 3/4″ H x 8 1/2″ W x 5” D. 20th century. Provenance: Private Knoxville, TN collection. CONDITION: Overall very good condition. [See more photos →]

Richard Jolley (Tennessee, born 1952) blown and hot formed glass sculpture with acid polishing titled “Tabula Rasa,” consisting of red and amber glass. Molded face and leaf to top half of sculpture, on an integral inverted cylindrical base. Sticker to base from previous seller. Etched signature “Richard Jolley 2002″ to base. 11 1/4″ H x 9 1/4″ W x 3 1/2” D. 21st century. Provenance: Private Knoxville, TN collection. CONDITION: Overall good condition. [See more photos →]

Pair of Tiffany Studios Art Nouveau patinated bronze "Puddle" candlesticks with bulbous candle cups inset with green reticulated blown glass, thin stems, and flat round bases. Marked Tiffany Studios New York and 21100 underside of bases. 17 1/4" H x 5 7/8" dia. American, circa 1905. CONDITION: Overall good condition with some surface wear, scratches. [See more photos →]

Set of eight (8) Moser or Moser style cabochon cut glass goblets with amber glass panels to bowl, gilt foliate design throughout, gilt segmented knop, and scalloped base. Unsigned. 8" H x approx. 3 1/4 dia. Early 20th century.

CONDITION: Overall excellent condition. [See more photos →]

Harvey Kline Littleton (American, 1922-2013) blown glass sculpture in the form of a horseshoe, comprised of amber colored looped glass with faux seam mounted onto a rectangular clear glass base. Etched signature and date “1974” on the underside of the base. Sculpture – 7″ H x 8 1/2″ W x 2 1/2″ D. Overall – 8 1/4″ H x 8 1/2″ W x 2 1/2″ D. Biography (source: The Smithsonian Institution): “Harvey Littleton is considered the father of the studio glass movement in the United States. After serving with the U.S. Signal Corps during World War II, he studied industrial design at the University of Michigan, earning a B.D. degree in 1947. In 1951 he received an M.A. degree from the Cranbrook Academy of Art. That year he accepted a teaching position in the Department of Art and Art Education at the University of Wisconsin, remaining on the faculty until 1977. Littleton’s initial specialty was ceramics, but by the late 1950s he was exploring the possibility of creating studio glass. Through research sponsored by the Toledo Museum of Art in 1962 he developed equipment and a formula for melting glass at lower temperatures, enabling him to blow glass in a studio rather than in the usual factory setting. This breakthrough led Littleton to play a major role in introducing glass blowing in college and university craft programs. His own program at the University of Wisconsin fostered the talents of a generation of glass artists, including Dale Chihuly and Fritz Dreisbach. In 1983 Littleton was awarded the Gold Medal of the American Craft Council.” Harvey Littleton’s works have been collected and exhibited at many institutions including the American Craft Museum, New York City; Cooper Hewitt National Museum of Design, Smithsonian Institution, New York; Corning Museum of Glass, New York; Detroit Institute of Arts; Los Angeles County Museum, Metropolitan Museum of Art, New York and Museum of Modern Art, New York. CONDITION: Overall very good condition. [See more photos →]

Rare Lalique Art Nouveau "Masque De Femme" crystal brooch depicting a relief image of a woman's face surrounded by fish, mounted with sterling silver. Marked "Lalique 925" en verso. 1 1/4" H x 1 1/4" W.

CONDITION: Excellent condition. [See more photos →]

Tiffany Studios "Wild Carrot" tall bronze candlestick with base having wild carrot or Queen Anne's lace bloom designs in relief, stem with receptacle-shaped top, and a conical favrile glass topper. Marked "Tiffany Studios New York/5/3/26157" to the underside of stand. 20 1/4" H x 8" dia. First quarter of the 20th century.

PROVENANCE: The Estate of F. Hamilton Hazlehurst, longtime chair of the Vanderbilt University Art Department.

CONDITION: Stand in overall very good condition with surface oxidation. Glass topper with scattered hairlines, largest measuring approximately 6" L, and loss to rim measuring 1/2" H x 1 3/8" W. [See more photos →]

Attributed to Galle, France, large art glass vase, cameo cut and fire polished bearded purple iris design on a cream-shaded, waisted ovoid form with raised flared rim and flared foot. 17" H. 20th century. CONDITION: Excellent condition. Old abrasions to base. [See more photos →]

Steuben etched clear glass obelisk titled "Cathedral" designed by George Louis Thompson (American, 1913-1981), triangular prism form suggesting a spire, engraved with saint figures and ecclesiastical style architectural details. Fitted within a fitted wooden stand. Etched "Steuben" to underside. Includes original red-velvet lined, fitted box. 15 7/8" H x 2 7/8" W x 1 1/2" D. Overall with stand. 16 1/8" H x 6" W x 3 34" D. Box: 5 3/4" H x 8 5/8" W x 19 5/8" D. Designed circa 1954. Copies of institution's accession paperwork for this item dating from the 1980s are available to the winning bidder.

PROVENANCE: Property of a Tennessee Religious Institution.

CONDITION: Chip to top back edge measuring 5/8" x 1/4"; chip to lower left corner measuring 1/4" x 1/4". Box with scattered surface wear; latch no longer functional. [See more photos →]

Tiffany Favrille Art Glass cordial set comprised of a bulbous form bottle with elongated neck, urn form stopper with ball finial together with four cordials with dimpled bodies. Bottle inscribed "L. C. Tiffany Favrille" and numbered "364" to the base, base of stopper numbered "364". Cordials inscribed "L.C.T." and one numbered "T3713". Bottle – 9 1/4" H. Cordials – 1 7/8" H. American, early 20th century. Provenance: The estate of Dr. Sara Parks Pendleton, Owensboro, KY. CONDITION: One cordial with hairline emanating from rim approx. halfway down body. Remaining pieces very good condition. [See more photos →]

Three (3) Tommie Rush (American, born 1954) art glass vases, each having a tapered, oval opening with applied glass stem and leaves, shaped base, including one (1) in shades of blue and green, one (1) in shades of red and orange, and one (1) in shades of red and clear. Impressed signature "T. Rush" on the bases. Ranging in size from 12 1/4" H x 5 1/2" W x 3 3/4" D to 19 3/8" H x 8" W x 5 1/2" D. All items third quarter/late 20th century. CONDITION: All items in overall good condition with surface scratches, scuffs, largest 1". [See more photos →]

Two (2) Tommie Rush (American, born 1954) art glass vases. 1st item: Vase having an opaque clear body transitioning to garnet at the lip, applied green floral stems, botanical elements, and purple iris flowers, narrow oval opening, blue base. Signed "T Rush" to underside of base. 16" H. Top opening – 6 1/2" H x 2 1/2" W. Base – 4" H x 2 1/2" W. 2nd item: Matte aqua blue vase having a tapered, oval opening with applied gold glass stem and leaves, gold glass base. Signed "T Rush" to underside of base. 10 1/4" H. 4 1/2" across base. Both items 20th century. Provenance: Private Knoxville, TN collection. CONDITION: Both items in overall very good condition. 2nd item: Minor abrasions to bottom of base. [See more photos →]

Tiffany Studios tall favrile art glass cylindrical vase with green overlay, #715, set into a bronze stand. Vase marked on the underside "L C T". Stand marked on the underside "Tiffany Studios New York/ No 715" with incised numbers 3806. Glass vase – 19 3/4" H. Overall – 22" H. 1st half 20th century. Provenance: a Nashville, TN estate. Refer to a similar example, sold in our July, 2019 auction lot #507. CONDITION: Overall very good condition with a few miniscule, shallow rim flakes (under 1/16") to rim, possible 1/8" light scratch to midsection of glass, minor oxidation to bronze base. [See more photos →]

Two perfume bottles and two paperweights by Richard Jolley (Kansas, b. 1952), all signed on base. Includes a projectile form paperweight with encased city scene, 4-1/2″H; a round paperweight with cased floral design, dated ’79, 2-1/2″H; a perfume bottle with cased mottled and swirled colors, dated 12-77, 5-3/4″H; and a frosted perfume bottle with raised cameo floral design, signed on front (also signed on bottom and dated 4-80), 5-1/4″H. CONDITION: Small internal imperfection to one petal of round paperweight, scattered small scratches to bottoms, otherwise excellent condition. [See more photos →]

Tiffany Studios bronze and green slag glass planter, also called a ferner or jardiniere, in the Grape Leaf design, marked on base "Tiffany Studios New York 833". 3-3/4" H x 10-3/4" dia. American, early 20th century. CONDITION: Light oxidation, overall very good condition. [See more photos →]

Large Galle art glass vase, cameo cut design featuring yellow and orange daffodils with green leaves and a landscape in the background, all on a frosted ground, with cameo signature with star. 20 1/4" H. French, circa 1920. CONDITION: Exterior: excellent condition. Wear and some dark scratching to interior of neck. [See more photos →]

Emile Galle (French, 1846-1904) cameo glass ewer or bottle, matte moss green ground with carved green and white enameled flowering yarrow and painted fern decoration to the body and stopper. Signed along the lower body "Galle". Underside of stopper etched "7" and "7" etched along the inner rim. 12" H. Late 19th/early 20th century.

CONDITION: Overall good condition with no chips or cracks. Minor scattered losses to enameled flower and painted fern decoration and some white residue noted to inside of bottle. Minor scratching to upper and underside of base. [See more photos →]

Set of twelve (12) Lalique "Angel Wing" champagne flutes, having clear and frosted etched wings on the sides of the body and a frosted angel mask on the upper stem. All with the etched Lalique/France mark to the base. 8 1/8" H. 20th century. Provenance: Estate of Martha Lyman, Dayton, TN. CONDITION: One flute having a fleabite chip to rim edg, remaining flutes very good condition. [See more photos →]

Lalique (French, founded 1888) "Pisces" or "Deux Poissons" colorless and frosted glass sculpture, depicting two intertwined fish on a round base. Script signature "Lalique France" on base. 11 1/4" H x 10 1/2" W x 6 1/2" D. Late 20th century. Provenance: Private Middle Tennessee collection. CONDITION: Very good condition with some surface scratches, primilar to underside of base. [See more photos →]

Richard Jolley (American, born 1952) frosted clear, blue and green art glass totem sculpture depicting a dog head with open mouth and green eyes atop a twisted column base. Incised signature “Richard Jolley” and date “95” to one side of the base. 8 1/4″ H. Provenance: Private Knoxville, TN collection. CONDITION: Overall very good condition, minor scratching to the base. [See more photos →]

Tommie Rush (American, born 1954) art glass blue vase, tapered conical form with textured surface and dark blue rim. Impressed signature "T. Rush" on the base. 11 1/2" H. 20th century. Provenance: Private Knoxville, TN collection. CONDITION: Overall very good condition. [See more photos →]

Three (3) American art glass items, including Richard Jolley and Tommie Rush. 1st item: Richard Jolley (American, Kansas, Tennessee, b. 1952) art glass perfume bottle, the base comprised of frosted glass and depicting a human torso with applied blue linear decoration with a simple circular stopper. Incised signature and date on the "Richard Jolley 8-78." 5 1/2" H. 2nd item: Tommie Rush (American, b. 1954) art glass vase comprised of a frosted green body with frosted amber base and applied leaf decoration. Impressed signature on the base. 9 1/4" H. 3rd item: Frosted art glass vase, unsigned but attributed to Tommie Rush. Comprised of a lemon yellow body resting on a green circular base and applied green handles. 5 1/4" H x 6 1/4" W. All pieces 20th century. CONDITION: 1st item: Tip of stopper with chip, base with minor abrasions. 2nd & 3rd items: Overall very good condition. [See more photos →]

Sterling silver overlaid art glass vase, possibly Loetz. Baluster form vase comprised of topaz iridescent glass overlaid with silver in a stylized Art Nouveau iris design. Lower edge of vase stamped with La Pierre mark and "sterling". 10" H. Early 20th century. Provenance: the living estate of Annette Petri, Nashville, Tennessee. CONDITION: One 1/8" flaw in the making to glass, otherwise overall good condition with no visible damage. [See more photos →]