SOLD! for $2,048.00.
(Note: Prices realized include a buyer's premium.)
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- Low Estimate: $1,200.00
- High Estimate: $1,400.00
- Realized: $2,048.00
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Harvey Kline Littleton (American, 1922-2013) blown glass sculpture in the form of a horseshoe, comprised of amber colored looped glass with faux seam mounted onto a rectangular clear glass base. Etched signature and date “1974” on the underside of the base. Sculpture – 7″ H x 8 1/2″ W x 2 1/2″ D. Overall – 8 1/4″ H x 8 1/2″ W x 2 1/2″ D. Biography (source: The Smithsonian Institution): “Harvey Littleton is considered the father of the studio glass movement in the United States. After serving with the U.S. Signal Corps during World War II, he studied industrial design at the University of Michigan, earning a B.D. degree in 1947. In 1951 he received an M.A. degree from the Cranbrook Academy of Art. That year he accepted a teaching position in the Department of Art and Art Education at the University of Wisconsin, remaining on the faculty until 1977. Littleton’s initial specialty was ceramics, but by the late 1950s he was exploring the possibility of creating studio glass. Through research sponsored by the Toledo Museum of Art in 1962 he developed equipment and a formula for melting glass at lower temperatures, enabling him to blow glass in a studio rather than in the usual factory setting. This breakthrough led Littleton to play a major role in introducing glass blowing in college and university craft programs. His own program at the University of Wisconsin fostered the talents of a generation of glass artists, including Dale Chihuly and Fritz Dreisbach. In 1983 Littleton was awarded the Gold Medal of the American Craft Council.” Harvey Littleton’s works have been collected and exhibited at many institutions including the American Craft Museum, New York City; Cooper Hewitt National Museum of Design, Smithsonian Institution, New York; Corning Museum of Glass, New York; Detroit Institute of Arts; Los Angeles County Museum, Metropolitan Museum of Art, New York and Museum of Modern Art, New York. CONDITION: Overall very good condition.