George Rodrigue (American/Louisiana, 1944-2013), “We Stand Beside Her,” silkscreen, 2001. Rodrigue’s iconic Blue Dog is seated before an American Flag, memorializing the victims of the Sept. 11, 2001 terrorist attack. Signed lower right and inscribed “Artist Proof” lower left. Red and blue double mat under plexiglass in a reeded black frame with gilt sight edge. […]
Lot 181: George Rodrigue Blue Dog Painting, Return of the Loupe-Garou
George Rodrigue (American/Louisiana, 1944-2013), “The Return of the Loupe-Garou,” acrylic on canvas painting featuring Rodrigue’s iconic Blue Dog seated atop a white tombstone or monument. A full moon, glowing pink, rises from the horizon and casts shadows around a bare, red tree. Signed “Rodrigue” lower left. Rodrigue Galleries stamp en verso. Molded giltwood frame. Stretcher: 24 in. H […]
Lot 182: George Rodrigue Cameo Glass Blue Dog Vase
George Rodrigue (American/Louisiana, 1944-2013) “Blue Dog” Winter Fest cameo glass vase, 1995, signed “Rodrigue” in the design to side and numbered to underside 33 or 35/35. 10 7/8 in. H x 7 in. diameter. Note: Between 1993 and 1995, George Rodrigue worked with Kelsey Murphy and Pilgrim Glass in West Virginia to recreate his Blue Dog designs in […]
Lot 180: No Lot
Lot 179: Alfred Hutty Etching, Phoebe Passes My Gate, 1931
Alfred Heber Hutty (Charleston, South Carolina, 1877-1954) etching and drypoint titled “Phoebe Passes My Gate.” An African American woman wears a large basket filled with flowers on her head as she walks past an iron gate. A black cat arches its back at lower left. Signed “Alfred Hutty” in pencil along with snail cypher, lower right. Titled and […]
Lot 178: Alfred Hutty Etching, Cabbage (Catfish) Row, 1928
Alfred Heber Hutty (Charleston, South Carolina, 1877-1954) etching and drypoint titled “Cabbage (Catfish) Row.” Two African-American figures stand on the sidewalk before 89 and 91 Church Street, Charleston, known as Cabbage Row. A third figure peers out of a second-story window at left while the branches of a tree descend into the scene from upper right. […]
Lot 177: Alfred Hutty Signed Etching, In A Southern City, 1929
Alfred Heber Hutty (Charleston, South Carolina, 1877-1954) etching titled “In A Southern City.” Two African-American figures converse behind a dilapidated building, with a large tree and several chickens at right. From the edition of 75 included with the first edition of AMERICAN ETCHERS, VOL. II: ALFRED HUTTY published by Spencer Hutson, New York, 1929. Signed “Alfred Hutty” in pencil along with […]
Lot 176: William Aiken Walker O/B Panoramic Cabin Scene Painting
William Aiken Walker (American/South Carolina, 1838-1921) oil on academy board cabin scene painting with an African American family gathered before a cabin or small house and accompanied by a small cat. Chickens walk through the foreground while laundry dries on a line at right. Spanish moss hangs from the branches of a tree that reaches over a […]
Lot 175: Maria Howard Weeden Original Watercolor Artist’s Book, A Serenade (from Ben-Hur)
Maria Howard Weeden (Alabama, 1846-1905) original watercolor or inkwash and pencil artist’s book on two sheets of bifolded card entitled “A Serenade,” with the handwritten text of the poem “Tirzah’s Song” from Lew Wallace’s 1880 novel BEN-HUR: A TALE OF THE CHRIST plus four accompanying grisaille watercolor or inkwash illustrations, including cover. Cover with crescent […]
Lot 174: Maria Howard Weeden Original Watercolor Book, Banjo of the Past
Maria Howard Weeden (Alabama, 1846-1905) original watercolor and pencil artist’s book on two sheets of bi-folded card titled “The Banjo of the Past” with the handwritten text of the poem that would go on to be published in Weeden’s 1899 book of poetry Bandanna Ballads, plus six accompanying original watercolor illustrations, including cover. Cover with illustration that […]
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