Five (5) Carl Gutherz or Guthers (Tennessee/Missouri, 1844-1907) figure studies for the artist’s monumental 1893 painting “The Evening of the Sixth Day.” Item 1: Oil on canvas with pencil painting, a study for “Evening of the Sixth Day,” that depicts a nude woman with long red hair, Eve, who kneels beside a man outlined with pencil, Adam. […]
Lot 966: Xavier Ironside East TN W/C Landscape Painting, Ex-Howard Baker
Xavier Ironside (Tennessee, 1936-2011) watercolor landscape painting that depicts a dilapidated barn in a winter landscape with leafless trees and a distant mountain range. Signed and dated to the lower right. Floated under glass in a rusticated wood frame with white mat and blue mount. Sheet: 17 in. H x 22 in. W. Framed: 27 in. H x […]
Lot 965: Philip Perkins Oil Portrait of Eugenia Moore
Philip Perkins (American/Tennessee, 1907-1970) oil on canvas portrait of Nashville arts patron Eugenia Moore. She is depicted in her thirties, with dark upswept hair in three quarter view. Moore sits with her hands clasped and gazes away from the viewer; she wears a white blouse and red skirt, colors that repeat along with blue in the gestural […]
Lot 964: Ron Williams O/C Landscape Painting
Ron Williams (Tennessee, 1947-2016), oil on canvas, fall Appalachian landscape painting depicting a pond in the foreground flanked by trees on all sides. Signed lower right and housed in a foliate carved gilt wood frame with a light blue velvet liner. Sight: 15 1/2 in. H x 19 1/4 in. W. Framed: 23 3/4 in. H […]
Lot 963: Adelia Lutz Portrait of Young Woman
Oil on molded board tondo portrait attributed to Adelia Armstrong Lutz (American, Tennessee, 1859-1931), depicting a profile view of a woman with light, upswept hair and blue eyes. Unsigned. 17 1/2 in. dia. PROVENANCE: Private Knoxville collection, by descent through the family of Adelia Lutz. CONDITION: With craquelure throughout and scattered accretions or surface grime, […]
Lot 962: Pauline Wallen O/C East Tennessee Impressionist Landscape Painting
Pauline “Polly” Wallen (Tennessee, 1922-2010) oil on canvas landscape with a small building at lower left and an expansive valley that leads toward a distant mountain range, likely the Smoky Mountains in East Tennessee, all rendered with a palette knife or in loose, impressionistic brushwork. Signed lower right. Housed in a giltwood frame. Canvas: 14 […]
Lot 961: Portrait of Mary Halbert Lewis of Nashville & Nashville Female Academy Diploma
Portrait of Mary Halbert Lewis of Nashville, Tennessee (1852-1931) and a Nashville Female Academy Diploma awarded 1844 to her mother, Catherine Bostick Halbert. 1st item: Bust length oil on canvas portrait of Mary Halbert in her late teens or early twenties, possibly just before her marriage to E.H. Lewis, wearing an off the shoulder white […]
Lot 960: Portrait of John Bentley Halbert of Nashville, Attr. Washington Cooper
Attributed to Washington Bogart Cooper (Tennessee, 1809-1882) oval oil on canvas portrait of John Bentley Halbert (1825-1858). The subject is depicted at about age 30, in half length, three quarter view, with sandy brown hair and beard, wearing a black suit and tie and white shirt, against an indistinct background. Unsigned. The oval portrait is […]
Lot 959: Alfred Hutty Etching, Bishop’s Gate AKA Col. Thomas Pinckney House, Charleston, 1924
Alfred Heber Hutty (Charleston, South Carolina, 1877-1954) etching and drypoint titled “The Bishop’s Gate.” An African-American woman sweeps a broom outside of a gate that stands before the Colonel Thomas Pinckney House, or Bishop’s House, at 114 Broad Street in Charleston, South Carolina. Signed “Alfred Hutty” in pencil along with snail cypher, lower right. From the edition of 75. […]
Lot 958: Alfred Hutty Etching, Little Italy, 1925
Alfred Heber Hutty (Charleston, South Carolina, 1877-1954), etching and drypoint titled “Little Italy.” Two children walk down a hilly street and towards a woman who faces away from the viewer. A man on a porch leans against a post at right while laundry hangs on a line and blows in the breeze at upper left. Signed “Alfred […]
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