Robert Samuel Grossman (New York, 1940-2018) original airbrush and ink on paper illustration titled "Home World" depicting the earth as a house, with a dog and bird bath in the front yard. Artist label and biographical information en verso. Signed "Robert Grossman" lower right, dated 2008 to label. Matted under glass in a black metal […]
Lot 685: Eugene Massin Modernist Painting, Trumpet Player
Eugene Massin (American/Texas/Florida, b. 1920) large Expressionist gouache and watercolor on board depicting a man standing and playing a trumpet, rendered in shades of black, white and gray on a neutral background. Signed "E. Massin" lower left and dated 1957. Silk matte; framed without glass in a silvered molded frame. Lyzon (Nashville) framing label en […]
Lot 680: Peter Max Signed & Editioned Screenprint, Moving with Father
Peter Max (New York/Germany, b. 1937) silk screen print titled "Moving with Father" depicting a small figure trailing behind an abstract form consisting of side profiles. Signed and dated in pencil "Max 72" lower right. Editioned in pencil lower left below blindstamp (52 or 53/100). Double matted under glass in a chrome metal frame. Image: […]
Lot 677: Pablo Picasso Lithograph, Les Saltimbanques, Exhibited
Pablo Picasso (Spanish, 1881-1973) lithograph entitled Les Saltimbanques, from Souvenirs d''un collectionneur, 1958. Signed and dated "Picasso 5.3.58" in the stone, lower right. From the edition of 2000 aside from the signed edition of 100. Published by A. C. Mazo, Paris. Exhibition history: American Federation of Arts, "Picasso: Ceramics, Posters, Graphics," 1966-67, no. 66-26. With […]
Lot 674: Victor Vasarely Modern Op Art Serigraph, Opale M.C, II/XV
Victor Vasarely (France/Hungary, 1906-1997) Op Art screenprint entitled "Opale M.C" and depicting nine multicolored geometric forms in three rows set against a gray background, 1967. Pencil signed and editioned "Vasarely" and "II/XV," lower margin. Ref.: Benavides 567. Housed under glass in a metallic frame with cream mat. Sight: 21" H x 21" W. Frame: 26" […]
Lot 672: Large Yaacov Agam Signed Serigraph, The Covenant, 1986
Yaacov (Gibstein) Agam (Israel/New York/France, born 1928) geometric abstraction Op Art screen print entitled The Covenant, 1986. Pencil signed "Agam" and editioned 7/180, lower margin. Housed under glass in a burlwood frame. Sight: 34 1/2" H x 41" W. Frame: 39" H x 45 1/2" W. PROVENANCE: The Estate of Richard J. Eskind, Nashville. CONDITION: […]
Lot 673: Yaacov Agam Signed Serigraph, Espace I-Espace II, 1973
Yaacov (Gibstein) Agam (Israel/New York/France, born 1928) geometric abstraction Op Art screen print from the Espace I-Espace II portfolio, 1973. Pencil signed "Agam" and editioned 129/144, lower margin. With Horn Editions New York blind stamp, lower left. Floated under plexiglass in a modernist plexiglass frame. Sheet: 29 5/8" H x 38 3/8" W. Frame: 26 […]
Lot 664: Abercrombie Leather Figural Donkey Footstool
Leather figural footstool of a donkey, designed by Dimitri Omersa and retailed by Abercrombie & Fitch, with textured mane, rolled eyes, and capped feet. Very faint illegible stamp to the right ear. 12" H x 17 1/2" L x 5" W. 20th century. PROVENANCE: The Estate of Richard J. Eskind, Nashville. CONDITION: Overall good with […]
Lot 660: Large Old Sheffield Dome & Warming Stand
Large Old Sheffield plated meat dome on warming stand. Oval form cover with finely chased acanthus leaf handle terminating in lion masks and paws on a foliate molded base and gadrooned band at lower mid-section. Engraved antelope head crest. Double Sun face marks, attributed to Mappin & Webb, stamped to the underside of the lid […]
Lot 661: 4 Silver Trophy Items, Ekwanok Golf Club
<p style="margin-left:0in; margin-right:0in">1st item: Sterling Silver trophy basket with reticulated border, 8" diameter, inscribed in center: "Isham Cup Tournament, Ekwanok Country Club, 1921/Losing 16 Runner up." Note: Opened in 1900 in Manchester, Vt, the Ekwanok Golf/Country Club was the first eighteen hole golf course in the United States that compared favorably with some of the […]
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