One (1) 18K yellow gold hinged cuff bracelet with ram's head ends, marked YI on hinge, 6-3/8" interior circumference when closed. 39 grams. Provenance: Nashville, TN estate. CONDITION: Overall very good condition. Minimal surface wear on interior.
Lot 131: Signed Baltimore Marble Topped Pier Table
American late Classical Period Pier Table or Console, flame mahogany veneer and white pine with rectangular black and gold marble top, stenciled on bottom of marble LEVI TAYLOR, MARBLE WORKER, BALTIMORE. Possibly from the shop of John Hall, Baltimore. Ogee skirt atop two ogee curved front supports with scrolled ends, the back with inset rectangular […]
Lot 132: Inlaid Chest 1 of 2, Norfolk VA or British Isles
Inlaid serpentine chest of drawers, Norfolk, Virginia or British Isles, mahogany primary with pine, birch, ash and spruce (ash and spruce confirmed by microanalysis) secondary woods. Serpentine-front flamed mahogany overhanging top, having chamfered concave corners, over a conforming case with contrasting four-sided flower and intertwined vine inlay to corners; four graduated dovetailed drawers with cock-beaded […]
Lot 130: Pair of Federal Period Girandole Mirrors
Rare pair of American Federal Period Girandole Convex Looking Glasses, white pine (pinus strobus, by microanalysis) and composition ornament, with iron armature, gessoed and gilded; each convex mirror plate with ebonized surround, surmounted by a carved gilt eagle on plinth flanked by acanthus leaves, giltwood balls on metal chains suspended from the eagle’s mouth, two […]
Lot 126: Inlaid Tiger Maple Chest of Drawers
Exuberantly inlaid and veneered late Sheraton chest of drawers, probably Northern Kentucky or Ohio; tiger maple, burl maple and cherry primary woods with poplar secondary wood, mortise and tenon, square nail and pegged construction. Rectangular top with curved, veneered and inlaid edges, surmounted by an arched dovetailed backsplash and two glove drawers, over a large […]
Lot 116: Thomas Hill O/C Still Life, Flowers with Fly
Thomas Hill (California/Massachusetts, 1829-1908) oil on canvas still life painting depicting a wicker basket of flowers, sitting on a tabletop; a house fly is perched atop a rose which has fallen to the table. Signed lower right “T. Hill”. Housed in an antique, possibly original giltwood frame with carved Rococo style corner decorations and molded […]
Lot 117: Walter Farndon, O/B, "Stone Cutters," exhibited
Walter Farndon (New York, 1876-1964) oil on board impressionistic painting titled "Stone Cutters" depicting two men carving a block, rendered in a heavy impasto technique. Signed, lower right. Salmagundi Club exhibition label and Vose Galleries, Boston, MA label, en verso. Housed in a gilt wood frame. Sight – 9 1/2" H x 7 5/8" W. […]
Lot 114: Hayley Lever O/C St. Ives, Cornwall Harbor Scene
Hayley Lever (New York/Massachusetts/England/Australia, 1875-1958) oil on canvas painting depicting a harbor scene in St. Ives, Cornwall, England with several fishermen on the dock and boats moored in the water, beneath a cloudy sky. Signed lower left. Pencil inscription en verso reads "1876-Hayley Lever-1958, R.W.A., RA. NA., St. Ives, Cornwall England". Housed in a gilt […]
Lot 112: Charles Woodbury Exhibited Oil, Cape Ann Village
Charles Herbert Woodbury (American, 1864-1940) oil on canvas street scene landscape painting titled "Cape Ann Village" depicting a figure in cart, loaded with snow, traveling down a street lined with buildings; the mast of a tall ship is visible over the rooftops in the background. Signed "CH Woodbury" lower right and dated "Nov. '82" lower […]
Lot 111: David Driskell Egg Tempera on Paper, "The Sentinel"
David Driskell (Maryland/District of Columbia, b. 1931) “The Sentinel” egg tempera on paper, half portrait depicting a figure against a patterned background. Signed “Driskell” upper right. Hinge mounted to mat, unframed. Part of original sales tag (torn) en verso, also titled in pen en verso. Image – 9 1/2″ H x 7 1/2″ W. Mat […]
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