Three (3) framed prints by contemporary printmakers, including two lithographs from the Tamarind Institute portfolio “Artists’ Impressions, 1989-1991,” 1991. Item 1: June Wayne (American, 1918-2011) lithograph in metallic silver ink and black ink, “Nos Portraits en 2060 Ensor/Wayne,” 1991. After James Ensor’s (Belgian, 1860-1949) 1888 etching “My Portrait in 1960,” with the addition of Wayne’s own skeletonized self-portrait […]
Lot 408: Christopher Brown Lithograph, Snow & Ice
Christopher Brown (American, b. 1951) lithograph titled “Snow and Ice” depicting the silhouette of an ice skater and falling snow. Pencil signed lower left and numbered 21/30. Float mounted, matted, and housed in a silvered wood frame. Lithograph: 12 in. square. Framed: 24 1/2 in. H x 23 1/2 in. W. Note: This lithograph was printed at […]
Lot 407: Tamarind Institute Partial Lithograph Portfolio Incl. Quick-to-See Smith, Colescott, Margo Humphrey
Tamarind Institute portfolio, “Artists’ Impressions, 1989-1991,” with 20 of the originally-included 24 lithographs. Includes lithographs by Clinton Adams, Garo Antreasian, Walter Askin, John Beerman, William Brice, Larry Brown, Squeak Carnwath, Robert Colescott, James Davis, James Drake, Margo Humphrey, Gendron Jensen, Roberto Juarez, Joy Laville, George McNeil, Mary Ristow, David Row, Italo Scanga, Juane Quick-to-See Smith, and Steven Sorman. […]
Lot 406: Ed Ruscha Signed Lithograph, Yo
Edward Ruscha (American, b. 1937) signed lithograph, “Yo,” from the Tamarind Institute portfolio “Artists’ Impressions, 1989-1991,” 1991. Signed, dated, and numbered 21/30 in pencil, lower margin. Floated under plexiglass in a painted wood frame with white mount. Published by Tamarind Institute with their chop mark, lower left, and printer Erica Gutenschwager’s chop mark, lower right. Sheet: 12 in H x […]
Lot 405: Amy Sillman Abstract Soft Ground Etching, O & N
Amy Sillman (Michigan/New York, b. 1955) abstract color sugar lift and spit bite aquatint with soft ground etching, “O & N,” 2007. Published by Crown Point Press. Signed and dated in pencil, lower right, and numbered 12/20, lower left. Floated under plexiglass in a modern wood frame. Sheet: 34 1/2 in H x 27 1/2 […]
Lot 404: Scarce Kiki Smith Etching, “Two”
Kiki Smith (German/American, b. 1954) portrait etching with sanding, “Two,” 2002. Signed, dated, and numbered 16/18 in pencil, lower margin. Published by Harlan & Weaver. Floated under plexiglass in a modern wood frame with white mat. Sheet: 45 in. H x 35 in. W. Sight: 39 in. H x 31 in. W. Frame: 49 in. H x 41 in. W. Note: “In this […]
Lot 403: Kiki Smith Lithograph, Bird in Hand
Kiki Smith (German/American, b. 1954) lithograph, “Bird in Hand” (collage edition), 2009. Signed, dated, and numbered 70/95 in pencil, lower margin. Published by Tamarind Institute with publisher’s chop mark lower left and printer Bill Lagatutta’s chop mark lower right. Floated under glass in a modern silvered and painted wood frame with cream mat. Sheet: 22 in H x 30 in W. […]
Lot 402: Sam Francis Monotype or Etching, Nude (Figure Study)
Samuel Lewis Francis (American, 1923-1994) monotype or etching that depicts a partial view of a nude woman described with gestural black splatter and expressive linework, 1987. Signed, dated, and numbered “1” in pencil, lower margin. Housed under plexiglass in a black metallic frame. Francis Archive SFE-121 and listed in “Sam Francis: Online Catalog Raisonne Project.” Plate: 15 1/2 in H x 20 in W. Sight: […]
Lot 401: Sam Francis Monotype, Nude (Ghost Impression 2)
Samuel Lewis Francis (American, 1923-1994) monotype (ghost impression) on Arches paper that depicts a partial view of a nude woman in blue, green, yellow, red, and orange hues, 1987. A unique ghost impression printed after a monotype in a private French collection (Francis Archive SFM87-017). Unsigned. Unframed. Francis Archive SFM87-018 and included in “Sam Francis: Online Catalog Raisonne Project.” Plate: 21 15/16 […]
Lot 400: Scarce Jaune Quick-to-See Smith Lithograph, A Map to Heaven
Jaune Quick-to-See Smith (American, 1940-2025) color lithograph with chine colle on Sekishu and Somerset paper, ” A Map to Heaven,” 2002. Signed, titled, and numbered 7/20 in pencil along lower edge. Published by Tamarind Institute with publisher’s chop, lower left, and printer Uli Kuehle’s chop mark, lower right. Floated under plexiglass in a silvered wood frame with white […]
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