Jorge Fick (New Mexico, 1932-2004) abstract oil on canvas painting, titled "Pod Series: Ecological Work Bench", depicting a striped shield-like form with geometric shaped projections protruding from the top. The work is rendered in bright shades of red, blue, purple, green, and white on a matte black background. Titled, dated and signed "1971-Jorge Fick" across […]
Lot 568: Henry Botkin W/C Painting, View of Manhattan from Brooklyn
Henry Albert Botkin (New York/California, 1896-1983) watercolor on paper painting depicting a view of the island of Manhattan from Brooklyn, the Brooklyn bridge spanning the East River with several boats sailing across the water. Signed "Botkin" lower right. Inscription en verso, "Happy Holiday and much love Rhonda & Harry 1949." Housed and matted under glass […]
Lot 565: James Lavadour Oil on Panel Abstract Landscape Painting, Stream
James Lavadour (Oregon, B. 1951) oil on wood panel abstract landscape painting, titled "Stream", rendered in pale yellows, deep reds, and bright greens depicting a sun-dappled stream to the lower left and a mountain to the upper right under a clear sky. Signed "Lavadour", dated "'09", and titled with an additional printed label with artist, […]
Lot 566: James Lavadour, Abstract Oil Painting, New Platform
James Lavadour (Oregon, b. 1951) oil on wood panel abstract painting, titled "New Platform", rendered in shades of light blue, yellow, orange, and red with a single white fingerprint on a pale blue-green field to the right. Titled, signed, and dated "'12" with an additional printed label with artist, title, medium, dimensions, and numbering, en […]
Lot 562: Burton Callicott O/C Abstract Painting, Recessional
Burton Harry Callicott (Tennessee/Indiana, 1907-2003) abstract oil on canvas painting titled "Recessional," horizontal stripes in shades of purple, green, pink, orange, and yellow. Signed and dated "Callicott '70" lower right. Albers Fine Art Gallery, Memphis, TN label, en verso. Housed in a wooden frame. Sight: 65" H x 49" W. Framed: 70 1/2" H x […]
Lot 563: Caio Fonseca Mixed Media Abstract, Pietrasanta P.09.30
Caio Fonseca (New York, b. 1959), "Pietrasanta P.09.30," oil and/or gouache on paper abstract painting featuring blue serpentine forms and lines, speckled in orange and red paint on a pale yellow field, with raised and incised lines throughout. Signed "Caio" lower right. Inscription en verso with artist name and date 2009, title, medium, and dimensions […]
Lot 564: John Pasche, Rolling Stones Logo, gouache on paper
John Pasche (British, b. 1945) original gouache and charcoal on wove paper of the Rolling Stones iconic "Tongue and Lips" logo. Signed lower right. Unframed. 31" square. 21st century. Biography (adapted from artist's CV and Creative Review): John Pasche received a degree in Graphic Design from the Brighton College of Art before continuing his education […]
Lot 560: Red Grooms 3D Sculpture, Traffic or Street Life
Charles Roger "Red" Grooms (Tennessee/New York, b. 1937), "Traffic," also called "Street Life," lithographed paper 3-D sculpture of the New York City intersection of Broadway at Canal Street, portraying a chaotic scene with streetwalkers, firefighters and fire engine, double decker tour bus, policeman, and vendors. Signed lower right in red marker and numbered 26/75. Approximately […]
Lot 561: Burton Callicott O/C Abstract Painting, Antahkarana
Burton Harry Callicott (Tennessee/Indiana, 1907-2003) abstract oil on canvas painting titled "Antahkarana" featuring two triangular shapes with rounded edges, one outlined in cooler hues of the color spectrum, the other in warmer hues, both joined by a nearly transparent broad white line, against a gradient yellow and green background. Signed and dated "Callicott '92" lower […]
Lot 558: Gaston Lachaise Male Nude Drawing, Exhibited
Gaston Lachaise (American, 1882-1935) graphite on paper drawing of a nude, muscular man standing with fabric draped over one raised arm and the other arm bent as his hand rests on his hip. Signed "G Lachaise" lower left. Label en verso for the Museum of Modern Art, New York, identifying it as part of a […]









