James Vance Miller (West Virginia/Virginia, 1912-2002), “Glow in the Morning and Rolled Rock,” Impressionist style oil on canvas painting depicting a large creek flowing through a sun-dappled, wooded landscape, with a large rock in the foreground. Signature incised in paint lower right. Titled on label en verso. Housed in a molded giltwood frame with scalloped […]
Lot 179: Alexander Drysdale Louisiana Bayou Landscape Painting
Alexander John Drysdale (American/Louisiana, 1870-1934) oil wash on paper Louisiana Bayou landscape painting. A river winds through a hazy, wetland landscape rendered in Drysdale’s atmospheric style. Pencil signed and dated 1916, lower left. Housed under glass in a giltwood frame with cream mat and grey reveal. Sight: 14 1/4 in. H x 19 1/4 in. W. Framed: 22 1/8 […]
Lot 178: John Kelly Fitzpatrick O/C Autumn Landscape, Alabama Woodlands, 1942
John Kelly Fitzpatrick (Alabama, 1888-1953) oil on canvas fall landscape painting. A row of purple tree trunks extend from the floor of a forest filled with colorful autumnal foliage. With passages of heavy impasto throughout. Sgraffito signature and date to lower right. Housed in a giltwood frame. Canvas: 12 in. H x 16 in. W. Framed: 14 5/8 in. H […]
Lot 177: John Alberts O/C Portrait of a Lady with Gloved Hand
John Bernard Alberts, Jr. (Kentucky, 1886-1931), oil on canvas portrait of a dark-haired lady wearing a white evening gown and wrap, seated in an elaborate chair with her back partially turned to the viewer. One elbow rests on the lion-carved arm of the chair, and her gloved hand is raised toward her face, which appears in profile—signed “J.B. Alberts” […]
Lot 176: John T. Bauscher Double-Sided Portrait Painting, Kentucky Interest
John T. Bauscher (Kentucky, 1890-1951) oil on board double-sided Impressionist-style portrait painting, 1936. The signed side depicts a caucasian man with a graying beard shown in three-quarters, bust-length view, gazing to the viewer’s right. The verso image depicts an African American man, also shown in three-quarters, bust-length view, who smiles and wears a gray hat, blue shirt, and […]
Lot 175: Nell Choate Jones O/C Painting, Men Dancing
Nell Hinton Choate Jones (Georgia/New York, 1879-1981) oil on canvas painting that depicts five African American men who wear brightly colored clothes and dance at night in a clearing before an old wooden fence. Two curving trees bookend the group and dense foliage grows beyond the fence. Signed “Nell Choate Jones,” lower left. Housed in a […]
Lot 174: Noel Rockmore O/C Painting, Preservation Hall Trumpet Player
Noel Rockmore (New York/New Orleans, 1928-1995) oil on canvas portrait of a trumpet player from his Preservation Hall series. The unidentified subject is seated with his body facing the viewer but with his head and gaze turned, holding a trumpet at rest in his right hand, against a dark and indistinct background. Signed “Rockmore” upper […]
Lot 173: Alfred Hutty Charleston Architectural Drawing
Alfred Heber Hutty (Charleston, South Carolina, 1877-1954) pencil on paper architectural drawing, likely depicting a house in Charleston, SC, with a large, leafless tree that grows in the middleground. Initialed lower right. Housed under glass in a painted and giltwood frame with ivory textile mat and cream reveal. Sight: 10 3/16 in. H x 12 5/8 in. W. Framed: […]
Lot 172: Alfred Hutty Signed Etching, Charleston Spires, 1930
Alfred Heber Hutty (South Carolina, 1877-1954) etching and drypoint titled “Charleston Spires”, 1930. From the edition of 75. The spire of St. Philip’s Church towers above Charleston’s Church Street, with the French Huguenot Church at right. Signed “Alfred Hutty” in pencil along with snail cypher, lower right. With old inventory number in pencil to lower right […]
Lot 171: Alfred Hutty Signed Etching, On a Carolina Road, 1932
Alfred Heber Hutty (Charleston, South Carolina, 1877-1954) etching and drypoint titled “On a Carolina Road”, second state (1932), artist’s proof. Signed “Alfred Hutty” in pencil along with snail cypher, lower right. Titled lower left, under mat. Also with old inventory number in pencil to lower right margin. Housed in a window mat. Original gallery label preserved en verso. […]
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