Alfred Heber Hutty (Charleston, South Carolina, 1877-1954) etching titled “In A Southern City,” 1929. Two African American figures converse behind a dilapidated building, with several chickens and a large tree at right. From the edition of 75 included with the first edition of AMERICAN ETCHERS, VOL. II: ALFRED HUTTY published by Spencer Hutson, New York, 1929. Signed “Alfred […]
Lot 158: Rare Alfred Hutty Drypoint Etching, A Gullah
Scarce Alfred Heber Hutty (Charleston, South Carolina, 1877-1954) bust-length portrait etching and drypoint entitled “A Gullah” that depicts an African American woman, having short, braided hair and a hoop earring, in three-quarter profile view. From the intended edition of 75. Signed “Alfred Hutty” in pencil along with snail cypher, lower right. Titled and inscribed “Ed. 75” and “Cat. number 76” lower left. With old inventory […]
Lot 157: Elizabeth O’Neill Verner Pastel Portrait, Charleston SC Flower Seller
Elizabeth Quale O’Neill Verner (South Carolina, 1883-1979) pastel on silk portrait depicting a Charleston, South Carolina flower vendor seated and holding a bouquet of flowering branches. She smokes a pipe and wears a bright blue head wrap. Signed “Elizabeth O’Neill Verner” lower right. Housed in a beveled oak frame. Sight: 8 1/2 in. H x 7 […]
Lot 156: William Lester Stevens O/C Charleston, SC Cityscape, Meeting Street
William Lester Stevens (American, 1888-1969) oil on canvas Charleston, South Carolina street scene that depicts Meeting Street with St. Michael’s Church at right and palms and other trees in the foreground. Signed “W. Lester Stevens.,” lower right. Housed in a giltwood frame with foliate corners. Sight: 15 1/2 in H x 19 1/2 in W. Framed: 22 in H x 25 3/4 in W. […]
Lot 155: Large Henry Barnes O/C Tuscany Street Scene
Henry Barnes (Georgia, 1940-2014) oil on canvas Tuscan village scene painting with a quiet street lined with buildings and beneath a sunset sky. Signed “H BARNES,” lower right. Housed in a giltwood frame with fabric liner. Sight: 35 1/2 in H x 47 1/2 in W. Frame: 44 1/2 in H x 56 1/2 in W. CONDITION: […]
Lot 154: Peti Clements O/C Folk Art Painting, Chickens & Chicks
Peti Clements (Alabama, 1911-1999) folk or outsider art oil painting on canvas featuring three chickens–two black and white and one bright yellow–standing with six yellow chicks at their feet, set against a background with visible chicken wire. Signed lower left. Housed in a rustic wood frame and matching wood mat. Sight: 15 1/4 in H […]
Lot 153: 3 Kevin Titzer Contemporary Folk Art Sculptures
Three (3) Keven Titzer (American, 20th/21st century) contemporary folk or outsider art sculptures. 1st item: Mixed media, glass and ceramic sculpture of a man standing atop a round base holding a broken bottle with a boat at his feet. Signed and dated on the underside “K. Titzer, 2003”. 19 in. H x 6 1/2 in. D […]
Lot 152: Akira Blount Outsider Art Sculptural Doll, Joy Ride
Akira Blount (American/Tennessee, 1945 – 2013) folk art soft sculpture titled “Joy Ride” and constructed of mixed media elements including paint, leather, fabric, wood, twigs, straw, and paper mache. A woman sits atop a silver horse on a wheeled platform and holds a bird’s nest that contains a pear. A blackbird sits on her hair and a […]
Lot 151: Michael Banks O/B Portrait of figure in Striped Hat
Michael Banks (American/Alabama, b. 1972) oil on board painting with incised details, untitled, portraying a figure in red, with striped hat. Signed lower right. The support is mounted to a black backing board in a black painted frame. Painting: 23 1/2″H x 12″W. Frame: 28″H x 16″W. PROVENANCE: Private Nashville, Tennessee collection. CONDITION: Overall very good condition. […]
Lot 150: Howard Finster Mixed Media Folk Art Panel
Howard Finster (American/Alabama, 1916-2001) folk art panel titled “How Did The Leaf Form Itself”, consisting of carved wood with applied acrylic panels and beads depicting a church carved on an acrylic panel with figures in the doorways lower section, the garden of Eden middle section and the heavenly realm with a large star to the […]
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