Anton Weiss (Yugoslavia/Tennessee, 1936-2019) acrylic on canvas expressionist winter landscape painting likely set in Middle Tennessee, 1970. Two red-roofed buildings reflect onto a pond from behind a stand of leafless trees and before a distant mountain range, 1970. With both pallette-knife and brushwork along with passages of impasto throughout. Signed and dated lower right. Housed in a metallic frame […]
Lot 168: Cornelius Hankins O/C Still Life, Christmas Fruitcake
Cornelius Haly Hankins (Mississippi/Tennessee, 1863-1946) oil on canvas still life painting depicting a basket of fruit, nuts and nutcracker beside a frosted fruitcake and a bottle of wine, set against a dark, indistinct background. Signed “Cornelius Hankins” lower right and dated “Xmas 1897”. Housed in a giltwood Aesthetic Movement style frame. Sight: 23 1/2 in H x 15 […]
Lot 167: Carl Gutherz O/C Painting, French Gardener, Likely Godefroy-Lebeuf, Paris Exposition 1889
Carl Gutherz or Guthers (Tennessee/Missouri, 1844-1907) oil on canvas painting, “Man with Cyclamens,” 1889. A bearded gardener stands in a greenhouse filled with red, pink, and white flowering plants, 1889. He wears a straw hat and blue work coat with overalls and smokes a pipe while he examines a potted plant. Signed, dated, and inscribed “Paris,” lower […]
Lot 166: Large Lloyd Branson Painting, Andrew Jackson Astride Sam Patch, After Ralph Earl
Lloyd Branson (Tennessee, 1861-1925) oil on board equestrian portrait painting of President Andrew Jackson astride his horse, Sam Patch, after Ralph E. W. Earl’s (1788-1838) c. 1833 painting in the collection of the Hermitage, Nashville, 1919. Signed and dated lower right. With painted wooden plaque affixed to frame that reads: “Andrew Jackson on Sam Patch. […]
Lot 165: James Guy Evans American Marine Painting, Cape Henry
James Guy Evans (American / Louisiana, 1809/10-1859) oil on canvas maritime painting titled “The Eleanor Jane… in a Stiff Blow Near Cape Henry [Virginia]” depicting the ship in choppy waters heading into a dark storm cloud. Flags flying from the masts include an American ensign. Other unidentified vessels are visible in the distance. Signed “Evans […]
Lot 164: Portrait Miniature Attrib. Isaac B. Alexander of South Carolina
Portrait miniature attrib. to Isaac Brownfield Alexander (South Carolina, 1812-1884), watercolor on paper, depicting a middle-aged man with dark hair and high forehead seated on a chair and wearing a dark blue suit and tie with printed vest, gold pin and white shirt. Indistinct background. Signed lower right “I.B. Alexander Pt”. Hand-painted oval border, with the sheet housed […]
Lot 163: John Spelman O/C Landscape Painting, In the Alleganies
John Adams Spelman (Minnesota/Illinois, 1880-1941) impressionistic oil on canvas fall landscape painting titled “In the Alleganies” and depicting a view of the Allegany Mountains from a valley with a large, open field and homestead in the fore- and middle-ground and the mountains under a blue sky in the background. Signed and dated “Spelman, 1917” lower right. Additionally […]
Lot 162: Will Henry Stevens Maritime Landscape Pastel, Likely New Orleans, 1933
Will Henry Stevens (Indiana/Louisiana/N.C/Tennessee, 1881-1949) pastel on paper landscape drawing with a body of water, docked boat, dam, and bridge under a darkened, cloudy sky, likely set in New Orleans, LA. A white house stands on the opposite shore and a row of utility poles recedes into the distance at right. Signed “Stevens” and dated 1933, lower right. Housed […]
Lot 161: Noel Rockmore O/C, Andrew Anderson from Preservation Hall Series
Noel Rockmore (New York/New Orleans,1928-1995) oil on masonite portrait of trumpet musician Andrew Anderson, from Rockmore’s Preservation Hall series of paintings. Illustrated under the entry for Andrew Anderson in “Preservation Hall Portraits: Paintings by Noel Rockmore” by Larry Borenstein and Bill Russell, Louisiana State University, 1968 (no page numbers). Simple woodgrain frame with linen mat. […]
Lot 160: Alfred Hutty Etching, In Bedon’s Alley, Charleston, SC
Alfred Heber Hutty (Charleston, South Carolina, 1877-1954) etching entitled “In Bedon’s Alley,” 1921. Three African American women wash and dry clothing in a yard or alley behind a building in Charleston, South Carolina. A kneeling figure and a small girl occupy the center of the composition. Signed “Alfred Hutty” in pencil along with snail cypher, lower right. Titled lower left, […]
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