Three (3) framed prints by contemporary printmakers, including two lithographs from the Tamarind Institute portfolio “Artists’ Impressions, 1989-1991,” 1991. Item 1: June Wayne (American, 1918-2011) lithograph in metallic silver ink and black ink, “Nos Portraits en 2060 Ensor/Wayne,” 1991. After James Ensor’s (Belgian, 1860-1949) 1888 etching “My Portrait in 1960,” with the addition of Wayne’s own skeletonized self-portrait and several palm trees. Titled in the plate, lower right. Signed and numbered 21/30 in pencil, lower left. Published by Tamarind Institute with chop mark, lower left, and printer Ko Muto’s chop mark, lower right. Floated under plexiglass in an ebonized wood frame with white mat. Sheet: 12 in H x 12 in W. Frame: 21 3/8 in H x 21 1/8 in W. Item 2: Hollis Sigler (American, 1948-2001) lithograph, “Waiting for Divine Inspiration,” 1990. A winged woman accompanied by birds floats in an interior with a painter’s studio and television. Titled in the plate, within the banderol at top right. Signed, dated, and numbered 21/30 in pencil along the lower edge of the sheet, within the image. Floated under plexiglass in an ebonized wood frame with white mat. Published by Tamarind Institute with their and printer Cole Roger’s chop marks, lower left. Sheet: 12 in H x 12 in W. Frame: 20 in H x 19 1/2 in W. Item 3: Rosemary Feit Covey (South African/American, b. 1954)wood engraving, “Dark Summer,” 1990. Signed, titled, and numbered 58/80 in pencil, lower margin. Housed under plexiglass in an ebonized wood frame. Sight: 14 in. H x 12 3/4 in. W. Framed: 24 1/2 in. H x 22 1/2 in. W. Note: Items 1 and 2 include original Tamarind Institute “Artists’ Impressions, 1989-1991” portfolio paper sleeves with printed artists’ names on covers.

PROVENANCE: The estates of Walter and Dr. Mary Schatz, Nashville. 

CONDITION: Excellent condition. Not examined out of frames.