William Washington Girard (Tennessee, 1873-1931) oil on canvas Middle Tennessee landscape painting with a creek that flows beside a fence-lined road and leads into a wooded background. A yellow sky breaks through clouds above and a stone bridge or dam extends across the creek. Signed “Washington Girard,” lower left. Housed in a distressed giltwood frame. […]
Lot 177: Large Red Grooms Color Lithograph & Screenprint, Truck II
Charles Roger “Red” Grooms (Tennessee/New York, b.1937) color lithograph, screenprint, and rubber stamp on paper titled “Truck II”, 1979 (Knestrick, 78). Depicts a busy cityscape with a large, undulating tractor trailer dominating the foreground. One the side of the truck is an advertisement for “Supreme Products” with a painted female seated on a swing below the phrase “Panty […]
Lot 174: Edward Weston Photograph of William Edmondson
After Edward Weston (American, 1886-1958) silver gelatin photograph depicting the African American sculptor William Edmondson (American/Tennessee, 1874-1951) seated in his Nashville, Tennessee yard and dressed in his work apron, with his workshop visible in the background. Printed by Cole Weston (1919-2003) from his father’s original 1941 negative. With Edward Weston’s stamped signature, the title, and the negative date in […]
Lot 173: William Edmondson Sculpture, Mother and Child
William Edmondson (American/Tennessee, 1874-1951), “Mother and Child,” carved limestone sculpture depicting a woman with high forehead and short hair, balancing a child on one hip and carrying a pocketbook in the other hand. 13 in. H x 5 1/4 in. W x 5 1/3 in. D (overall). Illustrated, Edmond Fuller, “Visions in Stone: The Sculpture of William […]
Lot 172: Large Carroll Cloar Drawing, Girl in a Field
Carroll Cloar (American/Tennessee/Arkansas, 1913-1993) large graphite and colored marker on paper drawing, a preparatory study for the artist’s 1981 painting “Mary Louise.” A young woman wearing a checkered apron with hands in her pockets, stands in an open field with yellow grass and tall wildflowers, and a grove of trees in the distance. Signed “Carroll Cloar,” lower left. Framed under […]
Lot 171: Carroll Cloar Acrylic on Board Painting, “Final Resting Place”
Carroll Cloar (American/Tennessee, 1913-1993), “Final Resting Place,” 1964, acrylic (tempera casein) on board Magic Realism painting depicting a woman in patterned dress and sunglasses standing beside a grave. Floral funerary sprays on wire stands stick out from the freshly mounded soil beside her, including one with the surrealistic face of a clock. In the background are grasses and […]
Lot 169: Anton Weiss O/C Modernist Winter Landscape Painting, Tennessee
Anton Weiss (Yugoslavia/Tennessee, 1936-2019) acrylic on canvas expressionist winter landscape painting likely set in Middle Tennessee, 1970. Two red-roofed buildings reflect onto a pond from behind a stand of leafless trees and before a distant mountain range, 1970. With both pallette-knife and brushwork along with passages of impasto throughout. Signed and dated lower right. Housed in a metallic frame […]
Lot 168: Cornelius Hankins O/C Still Life, Christmas Fruitcake
Cornelius Haly Hankins (Mississippi/Tennessee, 1863-1946) oil on canvas still life painting depicting a basket of fruit, nuts and nutcracker beside a frosted fruitcake and a bottle of wine, set against a dark, indistinct background. Signed “Cornelius Hankins” lower right and dated “Xmas 1897”. Housed in a giltwood Aesthetic Movement style frame. Sight: 23 1/2 in H x 15 […]
Lot 166: Large Lloyd Branson Painting, Andrew Jackson Astride Sam Patch, After Ralph Earl
Lloyd Branson (Tennessee, 1861-1925) oil on board equestrian portrait painting of President Andrew Jackson astride his horse, Sam Patch, after Ralph E. W. Earl’s (1788-1838) c. 1833 painting in the collection of the Hermitage, Nashville, 1919. Signed and dated lower right. With painted wooden plaque affixed to frame that reads: “Andrew Jackson on Sam Patch. […]
Lot 161: Noel Rockmore O/C, Andrew Anderson from Preservation Hall Series
Noel Rockmore (New York/New Orleans,1928-1995) oil on masonite portrait of trumpet musician Andrew Anderson, from Rockmore’s Preservation Hall series of paintings. Illustrated under the entry for Andrew Anderson in “Preservation Hall Portraits: Paintings by Noel Rockmore” by Larry Borenstein and Bill Russell, Louisiana State University, 1968 (no page numbers). Simple woodgrain frame with linen mat. […]
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