Meyer (Mike) R. Wolfe (New York/California/Tennessee, 1897-1985) standing nude sculpture depicting a mother and child, constructed of composite materials and paint. Unsigned. 27 in. H x 6 1/2 in. W. Circa 1960. Exhibition History: The Parthenon, in partnership with the Centennial Park Conservancy: Meyer Wolfe: The Star of All Things. February 5 – June 6, 2021. […]
Lot 423: Large Olen Bryant Bronze Sculpture
Olen Bryant (American/Tennessee, 1927-2017) bronze sculpture of a winged figure with halo mounted onto an oval stone base. Unsigned. 28 1/2 in. H x 14 in. W x 8 in. D. Circa 1998. Note: this is an unusual example of work in bronze work for the artist, who is best know for his sculptures in ceramic […]
Lot 422: Jim Hubbman W/C Chicken Painting, Labor Negotiations, & Related Rooster Model
Jim Hubbman (American/Tennessee, 20th/21st c.) watercolor on paper, “Labor Negotiations,” 2005. Three roosters stand beneath an alarm clock that hangs from a string. Floated under plexiglass in an ebonized wood frame with white mount. Sheet: 22 in H x 30 in W. Frame: 31 2/3 in H x 39 1/2 in W. Lot also includes an artificial […]
Lot 421: Philip Perkins Abstract Oil, Gold Frame
Philip Perkins (American/Tennessee, 1907-1970) oil on canvas abstract painting featuring swaths of red, orange and white on a variegated blue/green/gray background. Signed “Perkins” lower right and dated 1963. Numbered #1535 en verso. Simple black and gold box frame. Sight: 16 1/2 in H x 12 1/2 in W. Frame: 17 1/2 in H x 13 1/2 in W. Biographical […]
Lot 420: Philip Perkins abstract O/C, “Wind of the Dog Star”
Philip Perkins (American/Tennessee, 1907-1970), “Wind of the Dog Star,” oil on canvas abstract painting featuring intersecting curvilinear forms in gradient shades of green, purple and orange, accented by two white orbs. Signed lower right “Perkins” and dated 1953. Titled en verso. Housed in a wormy chestnut style frame. Sight: 35 in. H x 25 1/2 in. […]
Lot 411: Jean-Michel Folon Watercolor Landscape Painting
Jean Michel Folon (Belgian, 1934-2005) watercolor on paper painting featuring a stylized face representing the moon in a dark blue sky, over a series of layered hills reflecting the moon’s glow in muted shades of orange. Signed “Folon” lower right. Floated on an ivory mat in a glazed matte silver metal frame. Sheet: 11 in […]
Lot 409: 3 Contemporary Prints, June Wayne, Hollis Sigler, & Rosemary Feit Covey
Three (3) framed prints by contemporary printmakers, including two lithographs from the Tamarind Institute portfolio “Artists’ Impressions, 1989-1991,” 1991. Item 1: June Wayne (American, 1918-2011) lithograph in metallic silver ink and black ink, “Nos Portraits en 2060 Ensor/Wayne,” 1991. After James Ensor’s (Belgian, 1860-1949) 1888 etching “My Portrait in 1960,” with the addition of Wayne’s own skeletonized self-portrait […]
Lot 408: Christopher Brown Lithograph, Snow & Ice
Christopher Brown (American, b. 1951) lithograph titled “Snow and Ice” depicting the silhouette of an ice skater and falling snow. Pencil signed lower left and numbered 21/30. Float mounted, matted, and housed in a silvered wood frame. Lithograph: 12 in. square. Framed: 24 1/2 in. H x 23 1/2 in. W. Note: This lithograph was printed at […]
Lot 407: Tamarind Institute Partial Lithograph Portfolio Incl. Quick-to-See Smith, Colescott, Margo Humphrey
Tamarind Institute portfolio, “Artists’ Impressions, 1989-1991,” with 20 of the originally-included 24 lithographs. Includes lithographs by Clinton Adams, Garo Antreasian, Walter Askin, John Beerman, William Brice, Larry Brown, Squeak Carnwath, Robert Colescott, James Davis, James Drake, Margo Humphrey, Gendron Jensen, Roberto Juarez, Joy Laville, George McNeil, Mary Ristow, David Row, Italo Scanga, Juane Quick-to-See Smith, and Steven Sorman. […]
Lot 406: Ed Ruscha Signed Lithograph, Yo
Edward Ruscha (American, b. 1937) signed lithograph, “Yo,” from the Tamarind Institute portfolio “Artists’ Impressions, 1989-1991,” 1991. Signed, dated, and numbered 21/30 in pencil, lower margin. Floated under plexiglass in a painted wood frame with white mount. Published by Tamarind Institute with their chop mark, lower left, and printer Erica Gutenschwager’s chop mark, lower right. Sheet: 12 in H x […]
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