Minnie Evans (American/North Carolina, 1892-1987), "Three Hieratic Heads," circa 1943, crayon and pencil on paper, monogram signature lower right. Additionally signed "Minnie Evans" in black pen to back of paper backing (a photocopy of this signature is affixed to frame backing). Float mounted, matted and framed under plexiglass in a molded black painted frame. Davis […]
Lot 148: Sterling Strauser Oil, Still Life with Peonies
Sterling Strauser (American, 1907-1995) oil on board still life painting titled "Peonies," depicting a vase of pink, white and blue iris and peony flowers, set against a blue and white background. Signed lower right and dated 1993. Also signed, dated and titled en verso. Unframed. 24" H x 18" W. PROVENANCE: The collection of Myron […]
Lot 146: Percy V.E. Ivory Illustration Art Painting
Percy Van Eman Ivory (American, 1883-1960) oil on canvas illustration art painting depicting a ghostly, ethereal woman in white appearing to gentleman dressed in dark suit and standing beside a window. Signed P.V.E. Ivory lower right. Molded wood grain frame. Sight: 34 1/2" H x 25 1/2" W. Frame: 41" H x 32" W. Biography: […]
Lot 141: David Burliuk "My Mother," O/B Portrait
David Davidovich Burliuk (New York/Russian Federation/Ukraine/China,1882-1967), "My Mother," oil on panel painting depicting a woman with dark, pulled-back hair, wearing a blue dress, before a vividly colored background, all rendered in a thick impasto. Signed "Burliuk" lower right and dated 1908. Panel, 12 1/2" H x 11 1/2"W, has been mounted to a burlap covered […]
Lot 136: Large Gerrit V. Sinclair Regionalist Oil Painting, Youth of the Town
Gerrit Van Sinclair (American/Wisconsin, 1890-1955), "The Youth of the Town," oil on board street scene painting depicting four teenagers in a convertible, joyriding down a street in a sedate neighborhood. Signed lower right and dated 1933. Titled en verso and numbered 257. Dark mahogany tone frame with gilt accents at the molded edges. Sight – […]
Lot 132: Andrew Wyeth Signed Landscape Drawing, Brinton's Mill
Andrew Newell Wyeth (American, 1917-2009) ink on paper illustrated letter depicting Brinton''s Mill, a grist mill in Chester County, Pennsylvania, and adjacent buildings surrounded by leafless trees. Andrew and Betsy Wyeth purchased this property in 1958. The letter extends from recto to verso and reads: "BRINTON''S MILL along the Brandywine River built of field stone. […]
Lot 121: Manner of Pieter Codde, Oil on Panel Portrait of a Cavalier
Dutch School, 17th century-style oil on beveled wood panel half-length portrait of a cavalier standing with arms akimbo. A sword hangs from his left hip and he wears a plumed hat and cuirass. With remnants of old stickers en verso and pencil inscribed "8112" and illegible writing, possibly "Jan Weenix." Housed in an ornate, carved […]
Lot 116: Rembrandt Etching, Old Bearded Man in a High Fur Cap, with Eyes Closed
Rembrandt van Rijn (Dutch, 1606-1669) etching depicting a bust-length portrait or tronie of an old man with a long beard and fur cap with eyes closed. Signed and with additional backwards "R" in plate, upper left, with partial Arms of Amsterdam watermark. Inscribed "A" in brown ink en verso, likely an unidentified collector''s mark. Additionally […]
Lot 117: After Rembrandt, O/C Portrait of Jacob van Loon, The Syndics
Large oil on canvas portrait, late 18th or early 19th century, of Jacob van Loon, after Rembrandt van Rijn''s (Dutch,1606-1669) iconic painting De Staalmeesters (The Sampling Officials), also called Syndics of the Drapers'' Guild, 1662, in the collection of the Rijksmuseum, Amsterdam. The present painting depicts a single figure from Rembrandt''s composition, Jacob van Loon, […]
Lot 114: Rembrandt Etching, Old Man with Divided Fur Cap
Rembrandt van Rijn (Dutch, 1606-1669) etching and drypoint depicting a bust-length portrait of an unidentified man with a bushy beard and distinctive hat. With the slipt stroke from cap to left cheek. Signed and dated "Rembrandt f[ecit] 1640" in plate, upper left, with partial Arms of Amsterdam watermark. Inscribed "A" in brown ink to verso, […]
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