Keith Haring (American, 1958-1990) offset lithograph advertisement poster after the artist’s 1986 painting, “Absolut Haring.” Red lines radiate from a liquor bottle that stands before a yellow field while a crowd of Haring’s signature figures dance in the image’s lower half. With printed signature and date, lower right. Unframed. Sheet: 45 1/8 in. H x […]
Lot 419: Amy Sillman Abstract Soft Ground Etching, R & E
Amy Sillman (Michigan/New York, b. 1955) abstract color sugar lift and spit bite aquatint with soft ground etching, “R & E,” 2007. Published by Crown Point Press. Signed and dated in pencil, lower right, and numbered 11/20, lower left. Floated under plexiglass in a modern wood frame. Sheet: 34 1/2 in. H x 27 1/2 in. W. Framed: 37 13/4 […]
Lot 418: Agnes Martin Paintings & Drawings 1974-1990, Stedelijk Museum Portfolio
Agnes Martin (Canada/United States, 1912-2004) Paintings and Drawings 1974-1990 portfolio, 1991. The complete portfolio with ten loose (as issued) Minimalist lithographs on transparent vellum parchment paper. From the edition of 2500 printed by Lecturis, Eindhoven, and co-published by Nemela & Lenzen GmbH, Monchengladbach, and the Stedelijk Museum, Amsterdam, on the occasion of Martin’s 1991 retrospective at the Stedelijk […]
Lot 417: Tom Wesselmann Lithograph, Lulu, from the Metropolitan Opera Fine Art II Portfolio
Tom Wesselmann (American, 1931-2004) color Pop Art lithograph on Somerset paper, “Lulu,” 1982. A woman with red hair shown in bust-length reclines and looks toward the viewer. She wears colorful flowers in her hair, with several other flowers at right, and a window behind her reveals a body of water. From the 1984 Metropolitan Opera Fine Art II portfolio. Signed, […]
Lot 416: Stanley J. Twardowicz Abstract O/C Painting
Stanley John (Jan) Twardowicz (American, 1917 – 2008) oil on canvas abstract expressionist painting titled “Number 38”, 1958. Layers of forms rendered in black, grey, and white merge on a red-orange field. Gallery label with artist information en verso. Housed in a simple black painted wood frame. Sight: 58 in. H x 46 in. W. Framed: 59 1/8 […]
Lot 415: Large Larry Cohen O/C California Landscape Painting, View of the Bay, Pacific Palisades
Larry Cohen (California, b. 1952) oil on canvas bird’s-eye cityscape painting, “View of the Bay, Pacific Palisades,” 1991. Los Angeles’s Pacific Palisades neighborhood and Santa Monica Bay shoreline recede toward distant mountains while dappled light breaks through the cloudy sky and illuminates the landscape. Signed in pencil to verso, lower left, and double-signed to stretcher in […]
Lot 414: Rafael Coronel mixed media painting, Anomino
Rafael Coronel (Mexican, 1932-2019), “Anonimo”, aka “Renaissance Person in Blue,” oil crayon and graphite on paper, depicting the profile of a man in Renaissance clothing. Signed and dated “Rafael Coronel ’69” lower left with possible title. Housed under glass in an ebonized frame with gilt molded edges and a beige linen mat. Sight: 40 in. H […]
Lot 413: Francisco Zuniga Bronze Sculpture, Evelia en Una Butaca, 1972
Francisco Zuniga (Mexican, 1912-1998), Evelia en Una Butaca / Butaque, also known as Juchiteca en la Silla/ en una Silla (1972), bronze sculpture depicting a woman leaning back in a chair with her legs parted and her head turned to one side, with eyes closed. Signed, dated and numbered en verso of chair “Zuniga 1972 II/VI.” Sculpture: 14 […]
Lot 412: Jose Chavez Morado Large O/C Painting, Ancianas
Jose Chavez Morado (Mexican, 1909-2002), “Ancianas,” oil on canvas painting depicting four elderly peasant women hunched over various tasks in the midst of a village setting. Signed lower left and dated 1967. Label en verso for Merkup (Merl Kuper) Gallery, Mexico. Narrow giltwood frame. Sight: 47 1/2 in. W x 37 1/2 in. H. Frame: 48 1/2 in. W x […]
Lot 411: Large, Exhibited Bassmi Ibrahim Abstract Painting, Isness #30
Large Bassmi Ibrahim (Egypt/United States, 1941-2019) mixed media on canvas Lyrical Abstraction painting, “Isness #30,” 2006. Fluid veils of red, yellow, and white pigments overlap or blend with one another at left while a white ground dominates the rightmost portion of the composition. Signed lower right. Titled and dated to stretcher in pen and to printed label affixed […]
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