Ron Isaacs (Kentucky/Ohio, 20th century) acrylic on birch plywood Trompe L’oeil sculpture titled “Halfcoat” depicting the vertical half of a textured blue peacoat, mounted onto a white wood base. Signed, titled, and dated 1992 en verso. 22 in. H x 48 in. W x 4 5/8 in. D. PROVENANCE: Southern corporate collection. CONDITION: A few […]
Lot 429: Ron Isaacs Trompe L’oeil Sculpture, Passages
Ron Isaacs (Kentucky/Ohio, 20th century) acrylic on birch plywood Trompe L’oeil sculpture titled “Passages,” composed of a long white wedding dress with boxes of barbed wire inset into the skirt. Signed, titled, and dated 1992 en verso. 89 3/4 in. L x 42 in. H x 5 3/4 in. D. PROVENANCE: Southern corporate collection. CONDITION: […]
Lot 428: Large Tom Pfannerstill & Mario Muller Sculpture, Storefront w/ Limo
Tom Pfannerstill (Kentucky, b. 1951) and Mario Muller (New York/California, b. 1962) mixed media tromp l’oeil carved and painted wood with laminated, sandblasted glass sculpture, 1990. The sculpture depicts the facade of an urban building with plate glass windows and door with glass window and open transom window. A busy street scene that includes numerous figures before […]
Lot 427: Pr. Loet Vanderveen Armored Horse Bronze Sculptures
Two (2) Loet Vanderveen (California, New York/Netherlands, 1921-2015) patinated bronze sculptures. Both titled “Armored Horse” and depicting a Tang-style horse with bowed head, each with a different patina. Signed on the undersides LOET with copyright and numbered 78/750 and 87/750. Both with black marble stands. Each horse: 9 3/8 in. H x 14 1/2 in. L […]
Lot 426: Large Julius Wasserstein Abstract Painting, Homeostasis, 1957
Julius Wasserstein (Rhode Island/California, 1924-1985) oil on found panel Abstract Expressionist painting, “Homeostasis,” 1957. Gestural, predominantly blue and black brushwork fills the upper two-thirds of the composition while brown hues, along with shades of white and black, dominate the lower third. With passages of impasto throughout plus pink and yellow highlights. Signed and dated to […]
Lot 425: Rufino Tamayo Lithograph, Salome from the Metropolitan Opera Fine Art II Portfolio
Rufino Tamayo (Mexico, 1889-1991) color lithograph on Somerset paper, “Salome,” 1984. A nude woman with black hair dances and holds three colored textiles that flow through the air around her. From the 1984 Metropolitan Opera Fine Art II portfolio. Signed and numbered 195/250 in white pencil, lower corners. Printed by American Atelier and co-published by Circle Fine Art and Metropolitan Opera Association, […]
Lot 424: Will Barnet Aquatint Etching, Blue Robe
Will Barnet (American, 1911-2012) color aquatint and etching on wove paper, “Blue Robe,” 1971. A woman and a girl recline as they watch a black cat step over the woman’s lap. Signed, titled, and numbered 11/225 in pencil, lower margin. Housed under acrylic in a giltwood frame with cream mat and French line. Sight: 14 1/8 in. […]
Lot 423: Large Robert Motherwell Abstract Expressionist Etching & Aquatint
Robert Motherwell (American, 1915-1991) Abstract Expressionist etching and aquatint on Arches paper. Signed and numbered 12/50 in pencil, lower left margin, and signed and dated 1973 in the plate in reverse, upper right. Printed by Catherine Mosley at Motherwell’s Greenwich, CT studio and published by the artist and Dain-Schiff Gallery, New York, with the artist’s blindstamp lower right. […]
Lot 422: Alexander Calder Signed Lithograph, McGovern for McGovernment
Alexander Clader (French/American, 1898-1976) color lithograph on Rives BFK paper, “McGovern for McGovernment,” 1972. Pencil signed, lower right, and numbered 59/200, lower left. Published by George J. Goodstadt, Inc., Connecticut, and the Committee to Re-elect George McGovern, Washington, D.C., and printed by Styria Studios, Ltd., New York, with printer’s blind stamp, lower right. Floated under […]
Lot 421: 2 Yvonne Jacquette Cased Lithos: Manhattan, Dawn and Night
Yvonne Jacquette (American, b. 1943), “A Glimpse of Lower Manhattan,” 1986, two lithographs on paper, depicting New York City at dawn and at nighttime. Printed on BFK and Black Arches Cover papers, cut and assembled in a painted plexiglass box so as to appear as an image seen through the porthole of an airplane. Each signed […]
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